Student Conservators at Melbourne
STUDENT CONSERVATORS AT MELBOURNE
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IssueS

Vol. 4 (Dec 2024)

  • Foreword - Charlotte Walker, President, AICCM Victorian Branch

  • Hand eye ear coordination - Annie Llewellyn & Gabriel Nodea

  • Acknowledging and owning conservators’ creative labour: Why should the profession care? - Aslı Günel

  • Quilt quandary: Considering the conservation impacts of upcycling antique quilts in contemporary fashion - Alison Moule

  • You can’t mark there! Identifying and conserving historic graffiti at the St Neots Museum - Siân Blake

  • Conserving the past, conserving the present: Conservation of lontar (palm-leaf) manuscripts in Bali, Indonesia - Yori Akbar Setiyawan

  • Performing culture better: The conservation student’s cookbook - Jonathan van Toor

  • A medieval medical manuscript from the 15th century: Codicological research and diagnostic campaign on a Western Gothic binding - Rebecca Taldo & Dr Anna Piccirillo

  • The collapse of objective conservation: Societal influence on the treatment of paintings - Alexis Drapanas

  • Investigating accessible textile fibre identification: A flowchart - Taryn Ryan

  • Yellow Hue Memory of Grimwade Centre - Supansa Thongsuk

  • Total obliteration: A report on the destruction of heritage monuments, sites, and artifacts in Gaza - Debbi Min

Editors: Joshua Loke, Lauren Wolfram, Misty Wade, Holly Brown & Jess Chandy

Vol. 3 (Nov 2023)

  • Foreword - Bella Lipson & Belle Williams, AICCM Emerging Conservators Special Interest Group Co-Convenors

  • Welcome to the Lucky Country: Navigating the complex cultural histories of immigrant, diasporic, and refugee communities - Vicki Car

  • Single objects, many stories: Sharing history as conservation - Rachel Davis

  • All that glitters is a nightmare: Conserving pride at the Missouri History Museum - Sejal Goel

  • Herbarium of Australian flora: Cyanotypes inspired by the history of photographic and botanic science - Emma Dacey

  • Old problems, new solutions: Conservation in rural Australia - Fergus Patterson

  • Long live the dragons of Big Gold Mountain: Negotiating reflexive care of Chinese living heritage in Bendigo - Emma Ward

  • 80 people, 7 sites, 3 days: Reflecting on APTCCARN 6 with the minds behind the ambitious program - Madeline Davies

  • On exhibitionary silences: Museums and conserving sexual heritage - Isabella Wessel

  • What does an ecofeminist mount look like? Implications of ecofeminism in contemporary collection management - Kirralee Robinson

  • Golden fields and azure skies: Dedications to a faraway homeland - Melanie Melnychuk

  • Treating artworks by living artists: The precariousness of co-creating legacies - Anthi Soulioti

  • Five methods for matting works on paper: A brief introduction - Yuhong Zhang

  • Secrets of the mountains: Reflections on family heritage, personal identity, project management and mummies - Fen Reyes

Scroll: a journal by the Student Conservators at Melbourne, vol. 3 (November 2023)

Editors: Joshua Loke, Emily May, Jonathan van Toor, Lauren Wolfram, Misty Wade & Holly Brown

Vol. 2 (Nov 2022)

  • Foreword - Alice Cannon, AICCM President

  • Conversing with artefacts: Observations from a manuscript healing place in Istanbul - Aslı Günel

  • Conserving queer heritage - L J Lupgens

  • Demystifying textile conservation: Accessible and effective methods for conservators - Gabriela Lúcio de Sousa

  • Conserving Rothko’s murals and aesthetic experience - Rowan Frame

  • Conservation in fiction: A Month in the Country by J L Carr - Elizabeth Gralton

  • Exploring the use and potential of Nanorestore Gels® in the conservation cleaning of plastic objects - Jessica Argall

  • A feminist reframing: The reconstruction of knowledge in conservation - Eleanor S Thomas & Sarah P G Dodson

  • Experiential learning: The treatment of Baskerville’s Virgil - Leandra Flores

  • Down the maternal line: Intergenerational pottery practices in Barichara, Colombia - Maité Robayo

Cover image of Scroll Vol. 2 largely depicting a art gallery space with statues, signs, and drawings

Scroll: a journal by the Student Conservators at Melbourne, vol. 2 (November 2022)

Editors: Emma Dacey, Rachel Davis, Joshua Loke, Emily May & Jonathan van Toor

Vol. 1 (Dec 2021)

  • Foreword - Professor Robyn Sloggett

  • The fun of condition reporting in public - Frances Lojkine

  • Conserving oppression: Historical revisionism and the preservation of cultural materials in a post-Marcos Philippines - Gabriel Garde

  • Shifting perspectives in conservation: Interview with time-based art conservator Asti Sherring - Emma Ward

  • Manufacturing a karibari board: A project report - Sandra Song

  • A masters online - Michael Iles

  • Lessons from Haeinsa: What a Korean Buddhist temple can teach us about preventive conservation - Elizabeth Gralton

  • Digitisation as conservation: A discussion of The Hellenic Museum Digitisation Project - Thomas Keep

  • The Care and ID of Photographs workshop: A review - Sophie Antulov

  • The changing approach to relining canvas paintings: A review of the methods and materials applied to painting relining in Europe from the 17th to 20th century - Jordan Aarsen

  • Effluence and affluence - Michael Davies

Black and yellow image of the cover of vol. 1, no. 1 (December 2021) issue of Scroll

Scroll: a journal by the Student Conservators at Melbourne, vol. 1 (December 2021)

Editors: Emma Dacey, Rachel Davis & Joshua Loke

 
 

Please direct all queries, proposals or submissions to the Scroll Editorial Team at: scrollpublication@gmail.com.